RFM is equipped with the most musical analog and digital equipment available in a carefully designed critical listening environment.
analog outboard
Masterƒorte’ / Barry Porter Analog Mastering Equalizer
Masterƒorte’ / Fear Labs / Davelizer Analog Four Channel Disk Mastering Equalizer
Gyraf G23-S Analog Mastering Equalizer
Sontec MEP 250C (converted to MES) Analog Mastering Equalizer
Dangerous BAX Analog Mastering Equalizer
TAB / Telefunken W395a Vintage Analog Mastering Equalizer
Requisite Audio L2M Analog Mastering Compressor
API 2500 Analog Compressor
Maselec MDS-2 Analog Mastering De-Esser
Valley 415 Disk Mastering De-Esser
Conversion
Crane Song HEDD 192 ADC and DAC
Mithat Konar Custom 6 Channel DAC
Vinyl Mastering
Neumann VMS 70 Record Lathe
Neumann SX 74 Cutting Head
Neumann SAL 74 B Cutting Amplifiers and Electronics
Studer A80 Preview Deck for all-analog mastering (¼” and ½”)
Masterƒorte’ Lathe Audio Interface and Monitor Console
Fear Labs Lathe Automation
DJR Discomp Disc Mastering Computer
Reference Monitoring
PMC MB1 XBD Studio Monitors
Purifi and Hypex Class D Amplification
Masterƒorte’ Monitoring Console
Stax SR-X Mark 3 Headphones
Stax SRD-7 Headphone Amp
Creek OBH-11 Headphone Amp
Analog Playback
Studer A-80 mkI ¼” and ½” Preview Deck
Studer A-80 mk II/IV ¼” and ½” track Deck
Otari MTR-10 ¼” and ½” Deck (modified tape path)
Revox B77 ¼” stereo and ¼ track stereo decks (3.75/7.5/15 ips)
Teac 3340S (¼” 4 track and ¼ track stereo)
Technics SL-1200 Mk II turntable (with KAB modifications)
Kirkwood Audio Phono Transfer System Pre-amp
Mike Shields Custom Phono Pre-amp
Digital Tape Playback
Sony R-500 DAT
Sony PCM 601 F1 format (with digital output)